♥︎ Authors: Schobinger, Bernhard - Strba, Annelies

♥︎ Publisher: Grassimuseum, Leipzig 1988

♥︎ Gr. 8° - Unpaginated, gorgeously illustrated by 62 full-page b/w photogravures by Annelies Strba. A very good copy. Bernhard Schobinger (born 18 January 1946) is a Swiss contemporary artist jeweler. Born in Zurich, Bernhard Schobinger attended the Zurich's School of Applied Arts for two years, followed an apprenticeship, between 1963 and 1967, at Goldsmiths, a retailer in England. In 1968, he opened a workshop gallery in Richterswil and started to produce his own work. In the 1980s, he spent periods of time in Berlin, London, and New York City. Throughout his career as an art jeweler, Schobinger has blurred the lines between applied and fine arts. His aesthetic echoes concrete art mainly under the influence of Max Bill, the punk culture of the 1970s, Italian Arte Povera and Neo-Dada. Often playing with contrasts, Schobinger's single pieces are made of material which varies greatly from recycled objects and pieces inherited from his mother to precious metals and gemstones. Broken glasses, scissors or rusty material are used in a provocative way, making jewelry a means for a narrative on material culture. As the art historian Roger Fayet put it, "His works are based not on 'neither-nor' but rather on 'both. and', on juxtaposition and interpolation. What comes out of this is despite all this use of rubbish jewellery of extraordinary richness: rich in materials and forms, rich in qualities that are sensorily perceived and, most importantly, rich in meanings and wit". Schobinger has been invited as a visiting lecturer at universities and academies, including the Royal College of Art in London; Hiko Mizuno College of Jewelry in Tokyo; the Rhode Island School of Design in Providence, Rhode Island; the Gerrit Rietveld Academie in Amsterdam; and the Haute Ecole d'Arts Appliqués in Geneva.